{"id":31962,"date":"2016-12-13T10:38:42","date_gmt":"2016-12-13T07:38:42","guid":{"rendered":"http:\/\/binkelam.com\/?p=31962"},"modified":"2016-12-13T10:38:42","modified_gmt":"2016-12-13T07:38:42","slug":"olum-treni-backtrack-film-2015","status":"publish","type":"post","link":"https:\/\/binkelam.com\/en\/olum-treni-backtrack-film-2015\/","title":{"rendered":"\u00d6l\u00fcm Treni \/ Backtrack: Film 2015"},"content":{"rendered":"

S\u00fcr\u00fckleyici, a\u011f\u0131r giden temposuna ra\u011fmen insan\u0131 s\u0131kmayan bir gerilim ve gizem tarz\u0131 film<\/strong> seyretmek istiyorsan\u0131z \u00d6l\u00fcm Treni (Backtrack)<\/strong> <\/span>arad\u0131\u011f\u0131n\u0131z yap\u0131m olabilir. Backtrack ne demek<\/strong> ona da bakt\u0131m bu arada; kelimenin birka\u00e7 anlam\u0131 i\u00e7inde bu filme en uygun d\u00fc\u015feninin “Ayn\u0131 yoldan geri d\u00f6nmek” oldu\u011funa karar verdim. “Geri \u00e7ekilmek” olarak da d\u00fc\u015f\u00fcn\u00fclebilir belki. Ba\u015frolde oynayan Adrien Brody’nin canland\u0131rd\u0131\u011f\u0131 psikolog Peter’in durumu bu 2 ifadeye de uyuyor.<\/p>\n

Film aile sorunlar\u0131, hayat\u0131n en b\u00fcy\u00fck ac\u0131lar\u0131ndan biri olan evlat ac\u0131s\u0131, ge\u00e7mi\u015fte ya\u015fanm\u0131\u015f ve hat\u0131rlanma ihtimali ne kadar korkun\u00e7 geliyorsa art\u0131k; bilin\u00e7alt\u0131n\u0131n baya bi derinlerine at\u0131lm\u0131\u015f ve par\u00e7a par\u00e7a hortlayan travmatik bir deneyim, evli oldu\u011fun halde yaln\u0131z hissetme s\u0131k\u0131nt\u0131s\u0131, hayaletler taraf\u0131ndan ziyaret edilip durma s\u0131k\u0131nt\u0131s\u0131 gibi bir s\u00fcr\u00fc ac\u0131 verici, sevimsiz ve \u00fcrk\u00fct\u00fcc\u00fc olay\u0131n etraf\u0131nda d\u00f6n\u00fcyor.<\/p>\n

\u00d6l\u00fcm Treni’nin konusu<\/strong> \u015f\u00f6yle: K\u0131z\u0131 Evie’yi 1 y\u0131l \u00f6nce kaybetmi\u015f olan Peter s\u0131k\u0131nt\u0131lar i\u00e7inde debelenen bir psikologdur. E\u015fi Carol durmadan yat\u0131\u015ft\u0131r\u0131c\u0131 ila\u00e7lar ald\u0131\u011f\u0131 i\u00e7in neredeyse yatakta ya\u015famaktad\u0131r. Peter’in k\u0131z\u0131n\u0131n \u00f6ld\u00fc\u011f\u00fc g\u00fcn g\u00f6z\u00fcn\u00fc ondan ay\u0131r\u0131p ba\u015fka bir \u015feyle ilgilenmi\u015f olmakla ilgili bir su\u00e7luluk duygusu vard\u0131r ve arada bir eskiden asistanl\u0131\u011f\u0131n\u0131 yapm\u0131\u015f oldu\u011fu tecr\u00fcbeli bir psikologla g\u00f6r\u00fc\u015ferek kendisiyle y\u00fczle\u015fmeye, i\u00e7inde gizlenmi\u015f baz\u0131 \u015feyleri \u00e7\u00f6zmeye \u00e7al\u0131\u015fmaktad\u0131r.<\/p>\n

Peter ve e\u015fi k\u0131zlar\u0131n\u0131n \u00f6l\u00fcm\u00fcnden sonra ba\u015fka bir yere ta\u015f\u0131nm\u0131\u015flard\u0131r ve muayenehanesine, g\u00f6r\u00fc\u015ft\u00fc\u011f\u00fc psikologun g\u00f6nderdi\u011fi hastalar gelmektedir. Peter zamanla her biri tuhaf ve \u00fcrk\u00fct\u00fcc\u00fc tav\u0131rlar sergileyen ve kendisini bir \u015feyi bulmaya, anlamaya te\u015fvik eden bu hastalar\u0131n hepsinin 1987’de \u00f6lm\u00fc\u015f oldu\u011funu anlar. G\u00f6r\u00fc\u015ft\u00fc\u011f\u00fc insanlar, ona yard\u0131mc\u0131 olmaya \u00e7al\u0131\u015fan psikolog da dahil hep \u00f6lm\u00fc\u015f ki\u015filerdir.<\/p>\n

Olaylar ilerledik\u00e7e Peter’in ge\u00e7mi\u015finde bilin\u00e7alt\u0131n\u0131n en uzak k\u00f6\u015felerine att\u0131\u011f\u0131, arada birtak\u0131m \u00e7a\u011fr\u0131\u015f\u0131mlar olsa bile asla tam olarak hat\u0131rlayamad\u0131\u011f\u0131 bir an\u0131s\u0131 oldu\u011fu ortaya \u00e7\u0131kar. Hastalar\u0131yla, daha do\u011frusu hasta formundaki hayaletleriyle ilgili ara\u015ft\u0131rmalar yapan Peter bu an\u0131n\u0131n izlerini s\u00fcrmek \u00fczere \u00e7ocuklu\u011f\u0131n\u0131n ge\u00e7ti\u011fi yere, babas\u0131n\u0131n yan\u0131na gider. S\u0131k\u0131nt\u0131s\u0131 ve \u00e7aresizli\u011fi giderek artmaktad\u0131r ve bir bilim insan\u0131 olarak bu kendisine ters gelse bile, \u00e7aresizli\u011finin etkisiyle ger\u00e7ek\u00fcst\u00fc cevaplar\u0131n pe\u015finde ko\u015fmak durumundad\u0131r.<\/p>\n

K\u0131z\u0131n\u0131n \u00f6l\u00fcm \u015feklinden dolay\u0131 duydu\u011fu su\u00e7luluk duygusuyla sanki i\u00e7indeki gizli bir d\u00fc\u011fmeye bas\u0131lm\u0131\u015ft\u0131r, olaylar onun kontrol\u00fcnde de\u011fildir. Kasabada, intikam isteyen hayaletlerden gelen sinyalleri \u00e7\u00f6zmeye \u00e7al\u0131\u015f\u0131r ve onlar\u0131n g\u00f6sterdi\u011fi y\u00f6nde ilerlerken ge\u00e7mi\u015fine dair korkun\u00e7 ger\u00e7eklerle y\u00fczle\u015fecektir.<\/p>\n

\u00d6l\u00fcm Treni (Backtrack)<\/strong><\/span> filmini izlerken Brody’nin oyunculu\u011fundan \u00e7ok etkilendim. Mutsuz ve s\u0131k\u0131nt\u0131l\u0131 jest ve mimikleri, k\u0131z\u0131na olan sevgisi, kollar\u0131n\u0131 a\u00e7m\u0131\u015f onun hayaletini kucaklamak \u00fczere giderkenki y\u00fcz ifadesi ve g\u00f6rd\u00fc\u011f\u00fcn\u00fcn ger\u00e7ek olmad\u0131\u011f\u0131n\u0131 hat\u0131rlad\u0131\u011f\u0131 andaki hayal k\u0131r\u0131kl\u0131\u011f\u0131, korkusunu, \u015fa\u015fk\u0131nl\u0131\u011f\u0131n\u0131, yorgunlu\u011funu ve \u00e7aresizli\u011fini yans\u0131tan y\u00fcz ifadeleri \u00e7ok iyiydi.<\/p>\n

Filmde gizem unsuru hep canl\u0131, hep bir \u015feyleri merak ediyorsunuz izlerken, hayaletlerin ne demek istedi\u011fini, Brody’nin k\u0131z\u0131n\u0131n \u00f6ld\u00fc\u011f\u00fc g\u00fcn tak\u0131ld\u0131\u011f\u0131 \u015feyin ne oldu\u011funu falan; bu y\u00fczden, en sonundaki k\u0131sa bir b\u00f6l\u00fcm haricinde pek bir aksiyon olmad\u0131\u011f\u0131 halde, hi\u00e7 s\u0131k\u0131lm\u0131yorsunuz. Yani ben s\u0131k\u0131lmad\u0131m.<\/p>\n

1.5 saat s\u00fcren filmin y\u00f6netmek koltu\u011funda oturan isim Michael Petroni<\/strong>. Oyuncu listesine gelince: Adrien Brody, Sam Neill, Bruce Spence, Robin McLeavy, George Shevtsov, Jenni Baird, Emma O’Farrell, Anna Lise Phillips ve Chloe Bayliss.<\/p>","protected":false},"excerpt":{"rendered":"

S\u00fcr\u00fckleyici, a\u011f\u0131r giden temposuna ra\u011fmen insan\u0131 s\u0131kmayan bir gerilim ve gizem tarz\u0131 film seyretmek istiyorsan\u0131z \u00d6l\u00fcm...<\/p>","protected":false},"author":2,"featured_media":31972,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"class_list":["post-31962","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film"],"_links":{"self":[{"href":"https:\/\/binkelam.com\/en\/wp-json\/wp\/v2\/posts\/31962","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/binkelam.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/binkelam.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/binkelam.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/binkelam.com\/en\/wp-json\/wp\/v2\/comments?post=31962"}],"version-history":[{"count":0,"href":"https:\/\/binkelam.com\/en\/wp-json\/wp\/v2\/posts\/31962\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/binkelam.com\/en\/wp-json\/wp\/v2\/media\/31972"}],"wp:attachment":[{"href":"https:\/\/binkelam.com\/en\/wp-json\/wp\/v2\/media?parent=31962"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/binkelam.com\/en\/wp-json\/wp\/v2\/categories?post=31962"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/binkelam.com\/en\/wp-json\/wp\/v2\/tags?post=31962"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}